Every day I like to think on a single phrase and why it has
been spoken. Bella Morte means Beautiful death, but is death really beautiful?
I once read a quote that there was nothing so heartbreakingly beautiful as the
untimely death of a lovely lady. Over and over again we find this to be true in
poetry, plays, music, the occult and even mental illness. We try to love and
communicate with the dead in that may be unhealthy, but oftentimes poetic and
up for being romanticized.
Necromancy is a form of divination in which people try to
invoke the spirit of the deceased loved one, often for the purposes of
communication. Often times this has been classified as black magic and is often
the subject of interest in movies such as The Chronicles of Riddick. Throughout
the ages people have sought ways, be it through séances and other means, to
communicate with the dead or even try to bring them back to life. A good
example of this might be found in the movie Beetlejuice, when the new family
tries to bring the couple back, bodily, from the dead through a séance.
Sometimes ones passion for the dead goes beyond wanting to
see their loved one alive once more. There is a mental illness known as necrophilia
in which a person becomes aroused by the dead and often give into the
temptation and engages in sex with cadavers. Most of us see this as a sick perversion
and I, myself, have yet been able to truly sympathize with this particular
disorder. There is a movie called “Kissed” which centers around a necrophiliac
that neither condemns the character or approves of her actions. However, as
artfully done as the movie was, I could only get halfway through before I turned
it off.
In my opinion, necrophilia is not something that should be romanticized
in any way, shape, or form. In this same token, necromancy may not be the best
approach either. We have a tendency to want to make light of these subjects, romanticize
them, and make death to seem glorious and beautiful, but is it? Is it really?
Maybe for some it is. It certainly bares contemplation. I do not believe death
should be ugly and in the end I think, if the person is at peace than there can
be a certain beauty to it, but to put twists on disorders or other things which
could be harmful for the living and call it beautiful might well be a folly. I leave you now with a song and a poem. Enjoy.
The Dying Girl
(19th Century)
From a Munster vale they brought her,
From the pure and balmy air;
An Ormond peasant’s daughter,
With blue eyes and golden hair.
They brought her to the city
And she faded slowly there-
Comsumption has no pity
For blue eyes and golden hair.
When I saw her first reclining
Her lips were mov’d in prayer,
And the setting sun was shining
On her loosen’d golden hair.
When our kindly glances met her,
Deadly brilliant was her eye;
And she said that she was better,
While she knew that she must die.
She speaks of Munster valleys,
The pattern, dance, and fair,
And her thin hand feebly dallies
With her scattered golden hair.
When silently we listen’d
To her breath with quiet care,
Her eyes with wonder glisten’d,
And she asked us, “What was there?”
The poor thing smiled to as it,
And her pretty mouth laid bare,
Like gems within a casket,
A string of pearlets rare.
We said that we were trying
By the gushing of her blood
And the time she took in sighing
To know if she were good.
Well, she smil’d and chatted gaily,
Though we saw in mute despair
The hectic brighter daily
And the death-dew on her hair.
And oft her wasted fingers
Beating time upon the bed:
O’er some old tune she lingers,
And she bows her golden head.
At length the harp is broken;
And the spirit in its strings,
At the last decree is spoken,
To its source exulting springs.
Descending swiftly from the skies
Her guardian angel came,
He struck God’s lightning from her eyes,
And bore Him back the flame.
Before the sun had risen
Through the lark-loved morning air,
Her young soul left its prison,
Undefiled by sin or care.
I stood beside the couch in tears
Where pale and calm she slept,
And though I’ve gazed on death for years,
I blush not that I wept.
I check’d with effort pity’s sighs
And left the matron there,
To close the curtains of her eyes
And bind her golden hair.
Written by Richard D’Alton

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